ELVIS AND MORE:ELVIS PRESLEY HAS BEEN A LARGE PART OF JAMIE’S PERSONAL AND PROFESSIONAL LIFESINCE BASICALLY THE BEGINNING OF BOTH! JAMIE LEARNED TO SING BY LISTENING TOELVIS RECORDS, WHICH HAS HAD AN IMPACT ON HIS OWN STYLE THAT CAN’T POSSIBLYBE MEASURED. WHILE HE HAS MOSTLY STEPPED BACK FROM DOING FULL-ON TRIBUTESHOWS, THE BODY OF WORK IN JAMIE’S ELVIS RESUME IS SECOND TO NONE - ANDWHAT HE CONTINUES TO DO IN THE ELVIS FAN-SPACE, BOTH IN FRONT AND BEHIND THE SCENES, IS EVEN MORE IMPRESSIVE IN IT’S SCOPE AND AMBITION!ELVIS ARCHIVAL PRESERVATION SOCIETY (EAP SOCIETY):THE EAP SOCIETY STARTED AS A PET PROJECT BY A GROUP OF ELVIS FRIENDS. LED BY JAMIE AND HIS FRIEND MARK SHAFFER, THEY WERE ABLE TO UNCOVER A NEVER-BEFORE-HEARD PERFORMANCE BY ELVIS IN MAY OF 1955 IN MERIDIAN, MS - EVENTUALLY RELEASED ON THE “A BOY FROM TUPELO” BOX SET! A DECADE LATER, THE SOCIETY WAS RESTARTED BY JAMIE AND HIS FRIEND (AND NOW CO-HOST) JOHN MICHAEL HEATH - AS BOTH A YOUTUBE CHANNEL AND ALARGER, MORE ORGANIZED GROUP. ONE SIDE PROJECT, DABBLING INTO THE NEW REALM OF “ARTIFICIAL INTELLIGENCE,”THEY USED IT TO COMPLETE A SONG ELVIS STARTED IN 1969, AND ONE ON JAMIE’S FIRST ALBUM - “POOR MAN’S GOLD,”AS A FURTHER LEARNING TOOL FOR BOTH THEMSELVES AND OTHER FANS. AS THE SOCIETY GROWS, THE TWO PLAN TO USE THE SOCIETY TO REACH NEW AND YOUNGER FANS AS WELL AS CURRENT FANS OF ALL GENERATIONS, TO ORGANIZETHE FANBASE IN BEING MORE PROACTIVE IN PRESERVING BOTH ELVIS AND MUSIC HISTORY FOR EVERYONE.CHECK THEM OUT NOW AT WWW.EAPSOCIETY.COM AND WWW.YOUTUBE.COM/EAPSOCIETY
JUST AWESOME KARAOKE:AFTER HAVING BUILT A WEALTH OF KNOWLEDGE ON ELVIS’S OWN TECHNIQUE AND THE WAY THE MUSICITSELF WAS RECORDED, WHAT DO YOU DO? YOU GO THE EXTRA MILE TO MAKE KARAOKE TRACKSAT THE QUALITY LEVEL YOU ALWAYS WANTED THEM AT IN THE FIRST PLACE! THAT WAS THE MISSIONSTATEMENT OF THE KARAOKE LABEL BACK WHEN IT STARTED IN 2004, AND OVER TWENTY YEARS LATER,THE LABEL HAS ELEVEN ALBUMS OF THE CLOSEST TRACKS ANYONE HAS MADE TO-DATE!TO CHECK THEM OUT, GO TO WWW.JUSTAWESOMEKARAOKE.COM TODAY!
ELVIS PRODUCTS:JAMIE’S VOICE HAS BEEN HEARD ON MILLIONS OF OFFICIAL ELVIS PRODUCTS, LICENSED BYTHE ELVIS ESTATE AND ELVIS PRESLEY ENTERPRISES. FROM KEYCHAINS TO ANIMATRONICS, FROMCOUNTLESS CHRISTMAS ORNAMENTS TO BEANIE BABIES, FROM BIRTHDAY BALOONS TO USBDRIVES, FROM PRESS CONFERENCE RECREATIONS TO BLOOD DRIVE MESSAGES, AND FROM STAN LEE WRITTEN AUDIO COMICS TO A TOURISM CAMPAIGN FOR TENNESSEE ALONGSIDENONE OTHER THAN DOLLY PARTON, JAMIE WAS THE ONE AND ONLY GO-TO FOR YEARS OFELVIS PRODUCTS - MOST CRUCIALLY WHEN THE FAMILY WAS IN CHARGE OF EPE, JAMIE WASWHO THEY CALLED WHEN THEY NEEDED TO PUT A VOICE TO A PROJECT.ELVIS STORY:ONE SUCH EPE-LICENSED PRODUCT WAS THE 2005-2006 RUN OF THE MUSICAL “ELVIS STORY,”A MILLION-DOLLAR PRODUCTION THAT COVERED ELVIS’S LIFE IN A WAY NO OTHER SHOW HAS:WITH BROADWAY-STYLE SETS AND OVER 15 COSTUME CHANGES FOR THE ROLE OF ELVIS ALONE!JAMIE’S TIME WAS SO SUCCESSFUL THAT THE THEATRE TICKET OFFICES HAD TO OPEN SEVERAL HOURSEARLY DUE TO THE MASSIVE LINE FOR TICKETS! ON AVERAGE, ANYONE WHO SAW THE SHOW MORETHAN ONCE SAW IT TEN TIMES, WITH ONE PERSON ATTENDING 48 OUT OF THE 72 PERFORMANCES!JAMIE, AS ALWAYS, SIGNED AUTOGRAPHS NEARLY EVERY NIGHT, OFTEN STANDING FOR OVER THREEHOURS TO DO SO! IT’S *ALMOST* AS AMBITIOUS AS THE SHOW JAMIE IS BUILDING TOWARD NEXT!
ELVIS AND MORE:ELVIS PRESLEY HAS BEEN A LARGE PART OF JAMIE’S PERSONAL AND PROFESSIONAL LIFESINCE BASICALLY THE BEGINNING OF BOTH! JAMIE LEARNED TO SING BY LISTENING TOELVIS RECORDS, WHICH HAS HAD AN IMPACT ON HIS OWN STYLE THAT CAN’T POSSIBLYBE MEASURED. WHILE HE HAS MOSTLY STEPPED BACK FROM DOING FULL-ON TRIBUTESHOWS, THE BODY OF WORK IN JAMIE’S ELVIS RESUME IS SECOND TO NONE - ANDWHAT HE CONTINUES TO DO IN THE ELVIS FAN-SPACE, BOTH IN FRONT AND BEHIND THE SCENES, IS EVEN MORE IMPRESSIVE IN IT’S SCOPE AND AMBITION!ELVIS ARCHIVAL PRESERVATION SOCIETY (EAP SOCIETY):THE EAP SOCIETY STARTED AS A PET PROJECT BY A GROUP OF ELVIS FRIENDS. LED BY JAMIE AND HIS FRIEND MARK SHAFFER, THEY WERE ABLE TO UNCOVER A NEVER-BEFORE-HEARD PERFORMANCE BY ELVIS IN MAY OF 1955 IN MERIDIAN, MS - EVENTUALLY RELEASED ON THE “A BOY FROM TUPELO” BOX SET! A DECADE LATER, THE SOCIETY WAS RESTARTED BY JAMIE AND HIS FRIEND (AND NOW CO-HOST) JOHN MICHAEL HEATH - AS BOTH A YOUTUBE CHANNEL AND A LARGER, MORE ORGANIZED GROUP. ONE SIDE PROJECT, DABBLING INTO THE NEW REALM OF “ARTIFICIAL INTELLIGENCE,” THEY USED IT TO COMPLETE A SONG ELVIS STARTED IN 1969, AND ONE ON JAMIE’S FIRST ALBUM - “POOR MAN’S GOLD,” AS A FURTHER LEARNING TOOL FOR BOTH THEMSELVES AND OTHER FANS. AS THE SOCIETY GROWS, THE TWO PLAN TO USE THE SOCIETY TO REACH NEW AND YOUNGER FANS AS WELL AS CURRENT FANS OF ALL GENERATIONS, TO ORGANIZE THE FANBASE IN BEING MORE PROACTIVE IN PRESERVING BOTH ELVIS AND MUSIC HISTORY FOR EVERYONE. CHECK THEM OUT NOW AT WWW.EAPSOCIETY.COM AND WWW.YOUTUBE.COM/EAPSOCIETY
JUST AWESOME KARAOKE:AFTER HAVING BUILT A WEALTH OF KNOWLEDGE ON ELVIS’S OWN TECHNIQUE AND THE WAY THE MUSIC ITSELF WAS RECORDED, WHAT DO YOU DO? YOU GO THE EXTRA MILE TO MAKE KARAOKE TRACKS AT THE QUALITY LEVEL YOU ALWAYS WANTED THEM AT IN THE FIRST PLACE! THAT WAS THE MISSION STATEMENT OF THE KARAOKE LABEL BACK WHEN IT STARTED IN 2004, AND OVER TWENTY YEARS LATER, THE LABEL HAS ELEVEN ALBUMS OF THE CLOSEST TRACKS ANYONE HAS MADE TO-DATE! TO CHECK THEM OUT, GO TO WWW.JUSTAWESOMEKARAOKE.COM TODAY!
ELVIS PRODUCTS:JAMIE’S VOICE HAS BEEN HEARD ON MILLIONS OF OFFICIAL ELVIS PRODUCTS, LICENSED BYTHE ELVIS ESTATE AND ELVIS PRESLEY ENTERPRISES. FROM KEYCHAINS TO ANIMATRONICS, FROMCOUNTLESS CHRISTMAS ORNAMENTS TO BEANIE BABIES, FROM BIRTHDAY BALOONS TO USBDRIVES, FROM PRESS CONFERENCE RECREATIONS TO BLOOD DRIVE MESSAGES, AND FROM STAN LEE WRITTEN AUDIO COMICS TO A TOURISM CAMPAIGN FOR TENNESSEE ALONGSIDENONE OTHER THAN DOLLY PARTON, JAMIE WAS THE ONE AND ONLY GO-TO FOR YEARS OFELVIS PRODUCTS - MOST CRUCIALLY WHEN THE FAMILY WAS IN CHARGE OF EPE, JAMIE WASWHO THEY CALLED WHEN THEY NEEDED TO PUT A VOICE TO A PROJECT.ELVIS STORY:ONE SUCH EPE-LICENSED PRODUCT WAS THE 2005-2006 RUN OF THE MUSICAL “ELVIS STORY,”A MILLION-DOLLAR PRODUCTION THAT COVERED ELVIS’S LIFE IN A WAY NO OTHER SHOW HAS:WITH BROADWAY-STYLE SETS AND OVER 15 COSTUME CHANGES FOR THE ROLE OF ELVIS ALONE!JAMIE’S TIME WAS SO SUCCESSFUL THAT THE THEATRE TICKET OFFICES HAD TO OPEN SEVERAL HOURSEARLY DUE TO THE MASSIVE LINE FOR TICKETS! ON AVERAGE, ANYONE WHO SAW THE SHOW MORETHAN ONCE SAW IT TEN TIMES, WITH ONE PERSON ATTENDING 48 OUT OF THE 72 PERFORMANCES!JAMIE, AS ALWAYS, SIGNED AUTOGRAPHS NEARLY EVERY NIGHT, OFTEN STANDING FOR OVER THREEHOURS TO DO SO! IT’S *ALMOST* AS AMBITIOUS AS THE SHOW JAMIE IS BUILDING TOWARD NEXT!
ELVIS AND MORE:ELVIS PRESLEY HAS BEEN A LARGE PART OF JAMIE’S PERSONAL AND PROFESSIONAL LIFESINCE BASICALLY THE BEGINNING OF BOTH! JAMIE LEARNED TO SING BY LISTENING TOELVIS RECORDS, WHICH HAS HAD AN IMPACT ON HIS OWN STYLE THAT CAN’T POSSIBLYBE MEASURED. WHILE HE HAS MOSTLY STEPPED BACK FROM DOING FULL-ON TRIBUTESHOWS, THE BODY OF WORK IN JAMIE’S ELVIS RESUME IS SECOND TO NONE - ANDWHAT HE CONTINUES TO DO IN THE ELVIS FAN-SPACE, BOTH IN FRONT AND BEHIND THE SCENES, IS EVEN MORE IMPRESSIVE IN IT’S SCOPE AND AMBITION!ELVIS ARCHIVAL PRESERVATION SOCIETY (EAP SOCIETY):THE EAP SOCIETY STARTED AS A PET PROJECT BY A GROUP OF ELVIS FRIENDS. LED BY JAMIE AND HIS FRIEND MARK SHAFFER, THEY WERE ABLE TO UNCOVER A NEVER-BEFORE-HEARD PERFORMANCE BY ELVIS IN MAY OF 1955 IN MERIDIAN, MS - EVENTUALLY RELEASED ON THE “A BOY FROM TUPELO” BOX SET! A DECADE LATER, THE SOCIETY WAS RESTARTED BY JAMIE AND HIS FRIEND (AND NOW CO-HOST) JOHN MICHAEL HEATH - AS BOTH A YOUTUBE CHANNEL AND ALARGER, MORE ORGANIZED GROUP. ONE SIDE PROJECT, DABBLING INTO THE NEW REALM OF “ARTIFICIAL INTELLIGENCE,”THEY USED IT TO COMPLETE A SONG ELVIS STARTED IN 1969, AND ONE ON JAMIE’S FIRST ALBUM - “POOR MAN’S GOLD,”AS A FURTHER LEARNING TOOL FOR BOTH THEMSELVES AND OTHER FANS. AS THE SOCIETY GROWS, THE TWO PLAN TO USE THE SOCIETY TO REACH NEW AND YOUNGER FANS AS WELL AS CURRENT FANS OF ALL GENERATIONS, TO ORGANIZETHE FANBASE IN BEING MORE PROACTIVE IN PRESERVING BOTH ELVIS AND MUSIC HISTORY FOR EVERYONE.CHECK THEM OUT NOW AT WWW.EAPSOCIETY.COM AND WWW.YOUTUBE.COM/EAPSOCIETY
JUST AWESOME KARAOKE:AFTER HAVING BUILT A WEALTH OF KNOWLEDGE ON ELVIS’S OWN TECHNIQUE AND THE WAY THE MUSICITSELF WAS RECORDED, WHAT DO YOU DO? YOU GO THE EXTRA MILE TO MAKE KARAOKE TRACKSAT THE QUALITY LEVEL YOU ALWAYS WANTED THEM AT IN THE FIRST PLACE! THAT WAS THE MISSIONSTATEMENT OF THE KARAOKE LABEL BACK WHEN IT STARTED IN 2004, AND OVER TWENTY YEARS LATER,THE LABEL HAS ELEVEN ALBUMS OF THE CLOSEST TRACKS ANYONE HAS MADE TO-DATE!TO CHECK THEM OUT, GO TO WWW.JUSTAWESOMEKARAOKE.COM TODAY!
ELVIS PRODUCTS:JAMIE’S VOICE HAS BEEN HEARD ON MILLIONS OF OFFICIAL ELVIS PRODUCTS, LICENSED BYTHE ELVIS ESTATE AND ELVIS PRESLEY ENTERPRISES. FROM KEYCHAINS TO ANIMATRONICS, FROMCOUNTLESS CHRISTMAS ORNAMENTS TO BEANIE BABIES, FROM BIRTHDAY BALOONS TO USBDRIVES, FROM PRESS CONFERENCE RECREATIONS TO BLOOD DRIVE MESSAGES, AND FROM STAN LEE WRITTEN AUDIO COMICS TO A TOURISM CAMPAIGN FOR TENNESSEE ALONGSIDENONE OTHER THAN DOLLY PARTON, JAMIE WAS THE ONE AND ONLY GO-TO FOR YEARS OFELVIS PRODUCTS - MOST CRUCIALLY WHEN THE FAMILY WAS IN CHARGE OF EPE, JAMIE WASWHO THEY CALLED WHEN THEY NEEDED TO PUT A VOICE TO A PROJECT.ELVIS STORY:ONE SUCH EPE-LICENSED PRODUCT WAS THE 2005-2006 RUN OF THE MUSICAL “ELVIS STORY,”A MILLION-DOLLAR PRODUCTION THAT COVERED ELVIS’S LIFE IN A WAY NO OTHER SHOW HAS:WITH BROADWAY-STYLE SETS AND OVER 15 COSTUME CHANGES FOR THE ROLE OF ELVIS ALONE!JAMIE’S TIME WAS SO SUCCESSFUL THAT THE THEATRE TICKET OFFICES HAD TO OPEN SEVERAL HOURSEARLY DUE TO THE MASSIVE LINE FOR TICKETS! ON AVERAGE, ANYONE WHO SAW THE SHOW MORETHAN ONCE SAW IT TEN TIMES, WITH ONE PERSON ATTENDING 48 OUT OF THE 72 PERFORMANCES!JAMIE, AS ALWAYS, SIGNED AUTOGRAPHS NEARLY EVERY NIGHT, OFTEN STANDING FOR OVER THREEHOURS TO DO SO! IT’S *ALMOST* AS AMBITIOUS AS THE SHOW JAMIE IS BUILDING TOWARD NEXT!